Chris Salter

art / design / research / writing

Conference and Symposia Presentations

  • “Alien Agencies: Resonances, Tissues and the Sensorium Turned Inside Out.” Keynote Address. Presumed Autonomy Conference: Literature and the Arts in Theory and Practice. Stockholm University. Stockholm, Sweden. May 2016.
  • “Research-Creation and the Senses.” Symposium - "Art/Research/Experiment/Event: Three Perspectives on Perception/Action.” University of Tokyo. Tokyo, Japan. April 2016.
  • “Beyond the (two) Synesthesias.” Digital Synesthesia Symposium. University of Applied Arts, Vienna, Austria. March 2016.
  • "Performing Sensation: Sensory Anthropology, Performance and Immersion Beyond the Eye.” Besides the Screen Conference Keynote Address. University of Espirito Santo, Vitoria Brazil and University of Sao Paulo, Sao Paulo, Brazil. November 2015.
  • Opening Address (Chair). Re-Create: 6th International Conference on the Histories of Media Art, Science and Technology. Montreal, Canada. November 2015.
  • Closing Plenary Keynote Address. "Experimentation in Art and Science - A Short History." NEAF 2015 (National Experimental Arts Forum). Art Gallery of Western Australia. October 2015.
  • Chair. "Biological Life and the Computer." Panel at SLSA 2015 - Neo-Life. University of Western Australia. Perth, Australia. October 2015.
  • "Futile Labor: A Panel Discussion." SLSA 2015 - Neo-Life. University of Western Australia. Perth, Australia. October 2015.
  • "Alien Agency – Techno-Science, Art and the Limits of Knowing." Black Mountain College - Educational Turn and the Avant-Garde Symposium. Hamburger Bahnhof Museum für Gegenwartige Kunst. Berlin, Germany. September 2015.
  • “Non-Representational Sense Making and Sensory Ethnographic Methods in Displace – an AAA Inno-Vent Revisited.” Annual Meeting of the American Anthropological Association (AAA) 2014. Washington, DC. December 2014.
  • "Modes of Sensory Experience." Keynote. Bright Collisions Summit. Todays Art 2014. The Hague, Netherlands. September 2014.
  • "Research-Creation and Embodied Knowing in a Digital World." Keynote. Digital Intelligence Symposium. Nantes, France, September 2014.
  • “Alien Agency or Making Sounds with the World.” Bonnhören. International Symposium in Urban Listening. Bonn, Germany, June 2014.
  • “Sonic Atmosphere: Towards a Cross Modal Dramaturgy.” From Sound Device to New Forms of Stage Practice: International Colloquium UQAC, Chicoutimi, QC, March 2014.
  • “Alien Agency or How to Do Ethnographies of the Nonhuman.” La Recherche-Création: Territoire d’Innovation Méthodologique.” UQAM, March 2014.
  • “Re-Create: Media Art Histories Montreal 2015.” Re-NEW. 5th Annual Conference on the Histories of Media Art, Science and Technology. RIXC Center for New Media Arts. Riga, Latvia, October 2013.
  • “Alien Agencies: Multi-species ethnography, Techno-science and Performances of the Non-human.” Agency in Movement Symposium. SymbioticA. University of Western Australia. Perth, Australia. June 2013.
  • “Mediations of Sensation: An Experiment in Sensory Anthropology.” ISEA 2013, Sydney, Australia. June 2013.
  • Chair. Questions of Materiality in Contemporary Art Session. ISEA 2013, Sydney, Australia. June 2013. Chair. Bioart I Session. ISEA 2013, Sydney, Australia. June 2013.
  • “Atmospheres of Affect.” (keynote). International Symposium “Timing of Affect.” Künsthochschule für Medien, Cologne, Germany, May 2013.
  • “Resonance or Ethnographies of the Acoustic Nonhuman.” CUNY Graduate Center, April 2013.
  • "The Material Known as Data/ Data Known as Matter." Euphoria and Dystopia/GRAND Symposium. Ontario College of Art and Design (OCAD University). February 2013.
  • "The Affects of Material Agency: Subjectivity, Ethico-Aesthetics and Ontological Blurring through a Living Machine." Annual Meeting for the Society for Social Studies of Science (4S). Copenhagen, Denmark. October 2012.
  • Chair. "Technologies of the Self I." Organizer: Andrew Pickering. Annual Meeting for the Society for Social Studies of Science (4S). Copenhagen, Denmark. October 2012.
  • Panel Organizer. "Sensory Entanglements." "The Technologized Sensorium: Art, Techne and the Senses." Todays Art. The Hague. September 2012.
  • Panel Organizer/Curator: "Incompatible Systems." Transmediale 2012. Berlin, Germany. February 2012. Moderator: Keynote Graham Harman."War Machines: Military Technologies between Civility and Authority." " Business as Usual: Financial Crisis, Computing and Money Machines."
  • "Alien Agencies: Research Creation and Nonhuman Ethnographies." Keynote Address. Experimental Crossings: An Interdisciplinary Symposium on Interdisciplinarity in Arts Practices. Maastrict University. Masstricht, Netherlands. February 2012.
  • "Entangled: Scenography, Performance and Machinic Articulations." Keynote Address. SINLAB, EPFL, Lausanne, Switzerland. January 2012.
  • “Performativity, Architecture and New Re/search.” “Re/Search and Deploy”- CCA Research Colloquium 2011. Canadian Centre for Architecture. Montréal, QC. December 2011.
  • “Performing Sensation.” Annual Meeting of the American Anthropological Association (AAA) 2012. Montréal, QC. November 2011.
  • “Alien Agency: Performance, Materiality and Temporal Emergence in New Media Studio Labs.” Annual Meeting for the Society for Social Studies of Science (4S). Cleveland, Ohio, USA. November 2011.
  • “Performance, Materiality and Active Agency: STS and Temporal Emergence in New Media Studio-Labs.” Rewire: Fourth International Conference on the Histories of Media Art, Science and Technology. JMU University. Liverpool, UK. September 2011.
  • “Overflowing the Boundaries: Some Notes on Composing with Complexity.” Symposium for Patterns + Pleasure. STEIM Festival for Innovative Music and Media Arts. Amsterdam. September 2011.
  • “Alien Agencies: Performativity, Science and Material Practices.” Society for Literature, Science and the Arts (SLSA) 2012. Kitchener, Ontario. September 2011.
  • “McLuhan Today.” Re-touching McLuhan Conference. Canadian Embassy. Berlin, Germany. May 2011.
  • “Performance, Science and the Lab.” Performance Studies International (PSI). Utrecht, NL. May 2011.
  • “Social-Technical: Dance, Technology and Material Agency.” Dance and Technologies of the Social. MIT, April 2011.
  • “The Simulationists: Mixed and Real Reality.” Keynote Address. The Simulationists Confererence. School of the Art Institute of Chicago. Chicago, Illinois. February 2011.
  • “New Ontologies.” Symposia on New Ontologies.” Director: Andrew Pickering, University of Exeter, UK, October 2010.
  • “The Moving Image in the History of Technology and Performance.” FNC Lab Symposium. Festival du Nouveau Cinema. Montréal, QC, Canada. October 2010.
  • “SenseStage. Low Cost Open Source Wireless Sensor Infrastructure for Live Performance and Interactive Real Time Environments. PACT Zollverein. Essen, Germany. ISEA 2010. August 2010.
  • “Alien Agencies. Liveness, Materiality and Nonhuman Performativity.” PACT Zollverein. ISEA 2010. Essen, Germany. August 2010.
  • Panel Moderator. “Heavy Matter” Kunsthochschule für Medien @ ISEA 2010. Dortmund, Germany. August 2010.
  • “JND: Ethnography, Audience Experience and the Thresholds of Perception.” ISEA 2010. Dortmund, Germany. August 2010.
  • “Bios + Techne: Non Human Agency or How Stuff Performs.” Biopalimpsests. SLSA Europe. June 2010.
  • “Hexagram: Models of Canadian Research-Creation.” TASML International Symposium for Media Labs. Tsinghua University. Beijing, China, June 2010.
  • “Sensor Networks as Technical Objects.” Simondon Conference. American University of Paris. May 2010.
  • “Bios + Techne: Non Human Agency or How Stuff Performs.” Zooontotechnics. Center for Cultural Studies. University of Cardiff. May 2010.
  • “Thresholds of Perception.” Conference for the 11th Bi-Annual Addition of Sonic Acts XI: The Poetics of Space. Amsterdam, Netherlands. February 2010.
  • “The Stage as Organism: Liveness in Twentieth Century Scenography.” Re:Live: Third Annual International Media Art History Conference. Melbourne, Australia. November 2009.
  • “Performativity, Shopping and the Question of Embodiment.” The Future of Retail, Symposium, Ars Electronica Festival, Linz, Austria, September 2009.
  • “Saturation versus Silence: Audio-Visual Perception in the Visual and Media Arts,” See This Sound symposium, Linz 2009, Lentos Museum, Linz, Austria, September 2009.
  • "Entangled: Real time Sound, Performativity and Embodied Machines." Challenging Music, Dance and Performance: The Electronic Media Symposium. Anton Bruckner Privatuniversität, Linz, Austria, September 2009.
  • “Dramaturgies of Sound: Interactive Sound Design in Live Performance-Two Case Studies,” Sound in Interaction Design, CHI 2008 Workshop, April 2008.
  • “Unstable Events: Performative Science, Materiality and Machinic Practices,” Re:place: Second international Conference on the Histories of Media, Art, Science and Technology, House of World Cultures (HKW), Berlin, Germany, November 2007.
  • “Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance,” International Computer Music Conference (ICMC) Copenhagen, September 2007.
  • “Schwelle: Sensor Augmented, Adaptive Sound Design for Live Theatrical Performance,” NIME (conference for New Instruments for Musical Expression) 2007, New York, NY, April 2007.
  • “Sensation and the Threshold of Immanence,” Deleuze and the Media. Conference on the work of philosopher Gilles Deleuze, Department of Anthropology, University of California, Berkeley, November 2006.
  • “Responsive Environments and Ubiquitous Computing,” Floating Points 3 Series/Turbulence.org: Ubiquitous Computing, Emerson College, Boston, Massachusetts, February 2006.
  • “From iPods to the Stage.” ISPA (International Society of Performing Arts Presenters), Annual Conference, New York City, January 2006.
  • “Performing Arts Research outside of the Performing Arts,” Digital Cultures Symposium,Nottingham Trent University, Live Arts Research UK, December 2005.
  • “The Performative Turn in New Media,” Refresh! 1st Conference on Media Art Histories, Banff New Media Institute, Banff Center for the Arts, Banff, Canada, September 2005.
  • “Seminar vs. Studio: Theory/Praxis in New Media Education,” Share, Share Widely conference, The Graduate Center, CUNY, New York City, May 2005.
  • “Sponge: A Case Study in Practice-Based Art Research,” ACM Creativity and CognitionConference, Goldsmith’s College, London, UK, April 2005.
  • “Thresholds of Performance” Becoming Uncomfortable: Performance Studies International Conference, Brown University, Providence, RI, April 2005.
  • “Sponge’s Public Experiments in Phenomenology and Perception.” Conference on Responsive Spaces and Ubiquitous Presence, Banff New Media Institute, Banff Center for the Arts, Banff Canada, August 2004.
  • “Suspension: The Edges of Experience,” DAMPF (Dance and Media Performance Fusion), Tanz Cologne, Cologne, Germany, July 2004.
  • Panel Presentation. “Performance and Interaction: Passivity and Threshold.” SLSA. (Society for Literature and Science), Paris, France, June 2004.
  • “TGarden: Augmented Physicality and Wearable Instruments. Mobile Music workshop. Future Applications Lab, Viktoria Institute. Göteborg, Sweden. June 2004.
  • “Blurred Bodies/Sentient Space: Ubiquitous Computing and the Realm of the Stage.” Subtle Technologies Conference. Toronto. May 2004.
  • “Performing in (Public) Space: Performative Architecture, Ubiquitous Computing and Interaction.” Freie Universität, Berlin, Conference: Performing Spaces: Spatiality in Visual Culture. May 2003.
  • “TGarden: Wearable instruments and augmented physicality” (with Joel Ryan). NIME03(Conference on New Interfaces for Musical Expression), McGill University, Montreal, Canada. May 2003.

 

Talks

  • Artist Talk. Tama Art University. Tokyo, Japan. April 2016.
  • "Alien Agency: Research/Creation with the Nonhuman" Integrated Human Sciences Program. Graduate School of Arts and Sciences. University of Tokyo. Tokyo, Japan. April 2016.
  • Artists Talk. Doshisha Women's College of Liberal Arts. Kyoto, Japan. April 2016.
  • "Disturbance, Translation, Enculturation: A Research Program in New Media, Technology and the Senses." Doshisha University. Kyoto, Japan. April 2016.
  • "The Qualified Self.” Keynote Address. “Hack the Body.” De Waag/Pakhuis de Zwijger. Amsterdam, Netherlands. March 2016.
  • "Alien Agency: Research-Creation and Experimental Life.” ENSAD Lab. ENSAD. Paris, France. March 2016.
  • “Art, Research and the Future Imaginary.” University of Aalborg. Aalborg, Denmark. March 2016.
  • "Research-Creation: Theories, Methods, Acts." Connecticut College. New London, CT. October 20115.
  • Artist Presentation. International Digital Arts Market. Romaeuropa Festival. Rome, Italy. October 2015.
  • Artist Talk (with Ionat Zurr). "Futile Labor." John Curtin Gallery. Curtin University. Perth, Australia. October 2015.
  • Panel Moderation/Organization. "Sound in Public Space." Goethe Institut Montreal. September 2015.
  • Artist Talk. Co-Lab. Auckland University of Technology. Auckland, New Zealand. June 2015.
  • “Mediations of Sensation: Designing Performative Sensory Environments.” Department of Digital Media. University of Applied Arts. Vienna, Austria. June 2015.
  • “Alien Agency: Experimental Encounters with Art in the Making.” Faculty of Media. Bauhaus University. Weimar, Germany. May 2015.
  • “Alien Agency.” Elektra Festival. Centre PHI. Montreal, Canada. May 2015.
  • "The Demo and Contemporary Augmented Performance." Stanford Live. Stanford University. April 2015.
  • “Alien Agency: A Conversation with Andrew Pickering.” CTM 2015. Berlin, Germany. February 2015.
  • “Alien Agency.” CTM 2015. Berlin, Germany. February 2015.
  • “Research-Creation and Contemporary Media Art.” Convergence. Banff Centre for the Arts. November 2014
  • Performance in the 21st Century." Keynote lecture. MediaLive festival 2014. Boulder Museum of Contemporary Art. Boulder, Colorado. November 2014.
  • "Alien Agency/Material Arts." Conversation with Monica Bello, VIDA. Laboratorio Arte Alameda. Mexico City, Mexico. October 2014.
  • "Indeterminate Acts: A Rapid History of Technology, Movement, Choreography and Bodily Affects." YCAM (Yamaguchi Centre for Art and Media). Yamaguchi, Japan. July 2014.
  • "Composing Environments: From Sensors to Sensation." Chukyo University. Nagoya, Japan. July 2014.
  • “Forms of Life.” Laboratorio Arte Alameda, Mexico City, Mexico. June 2014.
  • “N-Polytope.” Roundtable. Fondarie Darling. Montreal, QC. May 2014.
  • “Entangled and Digital Media.” Respondent to Alain Thibault. ACAQ (Arts Curators Association of Québec). UQAM, April 2014.
  • "Xenakis, Polytopes and the Actions of Perception." Vitra Design Museum. Weil am Rhein, Germany. January 2014.
  • "Research-Creation: Theories, Methods and Practices." Hochschule für Gestaltung und Kunst/Institut Design- und Kunstforschung. Basel, Switzerland. January 2014.
  • "Indeterminate Acts: Technology, Choreography and Bodily Acts." Choreographic Research Workshop. Montreal Dance. December 2013.
  • Visiting Artist Talk. Holst Centre. High Tech Campus. Eindhoven, Netherlands. August 2013.
  • Visiting Artist Talk. School of Creative Media. City University of Hong Kong. July 2013.
  • HEXA_IN. Roundtable on Forms of Life. Centre PHI. Montreal, QC. May 2013.
  • Visiting Artist Talk. Columbia College. Chicago, Illinois. February 2013.
  • "Hexagram: Canadian Models for Research-Creation in Media Arts and Technologies." Future Art Base. Aalto University. Helsinki, Finland. December 2012.
  • "Sensory Experience/Sensory Anthropology." Medical Museion (Medical Museum). University of Copenhagen. December 2012.
  • Workshop co-leader. Acoustic Design in Public Space. Frankfurter Green Belt and Frankfurt City Office for Planning and the Environment (collaboration with Sam Auinger and Yukio King). Frankfurt, Germany. December 2012.
  • "Scenography in the 21st Century." Keynote Address. "Stage Digital." Department of Performing Arts and Scenography. ZhDK (Zurich University of the Arts). Zürich, Switzerland. November 2012.
  • Workshop director. "Stage Digital." Department of Performing Arts and Scenography. ZhDK (Zurich University of the Arts). Zürich, Switzerland. November 2012.
  • "Entangled: Performativity, Art and Material Agency." Department of Medienwissenschaft. Universität Regensburg. Regensburg, Germany. November 2012.
  • "Per.Spice: Forum for Artistic Research/Forum für künstlerische Forschung." Institut für künstlerische Forschung. Sophiensaele. Berlin, Germany. November 2012.
  • "Research-Creation and the Mediation of the Senses." MEDEA. Malmö University. Malmö, Sweden. October 2012.
  • "Acoustic Architectures." Berlin Sonic Places. Tempelhof Airport. Berlin, Germany. August 2012.
  • "Alien Agencies: Research-Creation and Ethnographies of the Nonhuman." Institute of Advanced Studies/SymbioticA. University of Western Australia. Perth, Australia. March 2012.
  • "Tissue Engineered Muscle Actuators as Evocative Cultural Objects" (with Ionat Zurr). Seminar for the Department of Anatomy, Physiology and Human Biology. University of Western Australia. Perth, Australia. March 2012.
  • Roundtable. Ethnographic Terminalia @ the AAA. Eastern Bloc. Montréal, QC. November 2011.
  • “Between Art and Anthropology: Entangled Sensations.” Hexagram/AAA. Montéal, QC. November 2011.
  • “Hexagram Concordia.” CINQ (Consortium en innovation numérique du Québec) Atelier 2011/MTL Digital. Hilton Montréal, QC. November 2011.
  • “Alien Agencies: Performativity, Materiality and Transformation.” Performativité et effets de presence seminar. UQAM. October 2011.
  • “Entangled: Between Art and Science.” CRI (Centre de Recherche sur l’intermédialité). Université de Montréal. October 2011.
  • Artist presentation and Hexagram presentation. Marché International Arts Numériques. Québec Numérique. Gaitre Lyrique. Paris, France. October 2011.
  • “Entangled: Performativity across Art and Techno-science. Institute for Bildwissenschaften. Donau University. Krems, Austria. October 2011.
  • Hexagram Pecha Kucha. Hexagram Concordia. Montréal, QC. September 2011.
  • “JND: The Gaps of Perception.” UCCA Art Space. Beijing, China. July 2011.
  • “Alien Agency: Performance, Science and the Nonhuman.” SymbioticA. University of Western Australia. Perth, Australia. May 2011.
  • “Entangled.” Elektra festival. May 2011.
  • “JND: Perception and the Threshold.” Conversation with Brian Massumi. Gallerie FOFA, February 2011.
  • Artists Talk. Department of Art. Rensellaer Polytech Institute. Troy, NY. November 2010.
  • “JND.” Meta.Morf. Trondheim, Norway. October  2010.
  • “JND: Sensation, Senses and Sensory.” Today’s Art. Den Hague, Netherlands. September 2010.
  • “What is Research-Creation? Performative Practices and Embodied Knowing.” KhM Rundgang/Openhouse. Köln, Germany, July 2010.
  • “JND –Transformation and the Thresholds of Perception.” Synergetica. Optofonica Lab. Amsterdam, Netherlands, June 2010.
  • “Chris Salter: Art and Research.” Sound Studies. UdK. Berlin, Germany. May 2010.
  • “Performative Architectures.” CCA (Canadian Centre for Architecture), Montreal, QC, May 2010.
  • “Entangling.” Dance Department. Ohio State University. April 2010.
  • “Entangled: Technology and the Transformation of Performance.” Concordia University Author Series. March 2010.
  • “Experience as Research: Just Noticeable Difference.” EMPAC (Experimental Media and Performing Arts Center) Artist Lecture Series 2009-2010. Rensselaer Polytechnic Institute, Troy, New York. March 2010. Forthcoming.
  • “Sonic Interaction: Theory and Praxis.” Club Transmediale. Berlin, Germany. February 2010.
  • “Entangled and Overlapped.” Keynote Talk. Club Transmediale. Berlin, Germany. January 2010.
  • “The Ethics of Temporality.” IRHA Public Forum. CCA, Montréal, October 2009.
  • “Shopping and Performativity,” The Future of Retail, Symposium, Ars Electronica Festival, Linz, Austria, September 2009.
  • “Performing Interaction,” University of the Arts, Zürich, April 2009.
  • “Entangled: Technology and the Transformation of Performance,” Colloquium Series, Music and the Body, Department of Music, Brown University, April 2009.
  • “Embodiment, Subjectivity and Machines in Recent New Media Projects,” Keynote Talk, Embodiment and Mobility Symposium, Digital Media Department, RISD, April 2009.
  • “Performance, Knowing and the Dynamics of Time,” Keynote Address. Attakkalari India Biennial 2009, Bangalore, India, February 2009.
  • “From Representation to Performance: Some Notes of Machine Agencies,” Un/Contained Body, 2nd Annual Conference of Interdisciplinary Ph.D. in the Humanities Program and the Center for Interdisciplinary Studies at Concordia,” Studio 303, Montreal, QC, April 2008.
  • “Dramaturgies of Sound: Interactive Sound Design in Live Performance-Two Case Studies,” Sound in Interaction Design, CHI 2008 Workshop, April 2008.
  • “Schwelle and Responsive Performance Environments,” Attakkalari Center for Movement Arts, Bangalore, India, February 2008.
  • “Performing Technologies,” ITP, New York University, November 2007.
  • “Performing Technologies,” City University of New York, Queens College, November 2007.
  • “Sensor driven Responsive Audio Environments,” Hexagram research presentation at Cirque du Soleil Headquarters, Montreal, October 2007.
  • “Performative Architectures/Architectures of Performance,” DAM (Deutsches Architectur Museum), Frankfurt, Germany, July 2007.
  • Schwelle, Roundtable Discussion, Place des Arts, May 2007.
  • Guest Artist Lecture, Fondacion Telefonica, Buenos Aires, Argentina November 2006.
  • “Schwelle: The Thresholds of Experience.” Public roundtable organized with the Society of Arts and Technology (SAT) in Montreal by Brian Massumi and Erin Manning, October 2006.
  • “Technologies of Performance,” Guest lecture in the Topological Media Lab’s (Concordia) Black Box Cinq a Sept series, May 2006.
  • Research talk as part of Hexagram visit to National Research Council’s Industrial Materials Institute (IMI) in Boucherville, Quebec, March 2006.
  • “Performative Spaces and Ubiquitous Computing.” Floating Points Lecture Series. Emerson College, Boston, MA. Invited lecture by Turbulence.org founder Helen Thorington, February 2006.
  • “Technology and the Transformation of Performance,” Digital Cultures Dance-Technology Laboratory, Nottingham Trent University. Guest lecture with invitation from Kondition Pluriel (Montreal), December 2005.
  • “Immersive Performance Spaces: Responsiveness, Immersion and the Elasticity of Time,” Elektra Festival 2005, Montréal, Canada, May 2005.
  • “Technology and the Transformation of Performance: A Short History,” Visiting Artist lecture public lecture series, Amherst College, Amherst, Mass, February 2005.
  • Workshop Leader, “Technology and the Passerby” 2nd Annual Sommerakademie, Mousonturm, Frankfurt, Germany, August 2004.
  • “Suspension: The Edges of Experience,” DAMPF (Dance and Media Performance Fusion), Tanz Cologne,Cologne, Germany, July 2004.
  • Panel Presentation. “Performance and Interaction: Passivity and Threshold.” SLSA (Society for Literature and Science), Paris, France, June 2004.
  • “TGarden: Augmented Physicality and Wearable Instruments. Mobile Music workshop. Future Applications Lab, Viktoria Institute. Göteborg, Sweden. June 2004.
  • “Blurred Bodies/Sentient Space: Ubiquitous Computing and the Realm of the Stage.” Subtle Technologies Conference. Toronto. May 2004.
  • “Responsive Musical Environments: Theory, History and Praxis.” Concordia University, MFA Visiting Artists Lecture Series. Montreal, Quebec. Canada. February 2004.
  • “Schwelle: The Edges of Experience” Transmediale 04, House of World Cultures, Berlin, Germany, February 2004.
  • “Apparent Motion: A study in Real Time Physical Modeling for Collective Musical Interaction and Performance using Max/MSP.” Workshop at the Topological Media Laboratory, Georgia Institute of  Technology. January 2004.
  • “Scenography in the 21st Century.” HfG-Karlsruhe. December 2003.
  • “Aesthetics, Technology and Experience of Responsive Environments.” N_Space. HfF Potsdam. November 2003.
  • “Acoustic Space and Embodiment.” Interveneur. Soundxchange conference, University of the Arts(UdK), Berlin. October 2003.
  • “Transforming Space: Performance and Interaction.” E-Culturefair, Amsterdam. October 2003.